Tuesday, January 18, 2011

2011 films
prestige
part 1

January and February are notoriously know as “the dumping ground” in the movie business; where studios throw their cast-offs until the “real” movie season is underway. So, while we wait for something worthwhile to grace the big screen I will be doing a four-part “films to look forward to in 2011.” (Catchy title huh?) I have broken the films into three different categories: Prestige (these are the films to keep an eye on for 2012 awards season), Just For Fun (This is where you will find the smart comedies and action flicks of the year; although they likely won’t win an Oscar, a Golden Globe isn’t out of the picture), and finally Popcorn (this is for all the big-budgeted Superhero/Blow-Stuff-Up/Franchise movies).

Disclaimer: It's inevitable - films will get left off of my list. Good films too. And that's not even including the films that are set to premier at Sundance in a few days looking for a buyer. (That's where The Kids Are All Right, Winter's Bone and Blue Valentine first got notice and were quickly snapped up by a distributor/studio for release.) This is simply just a list of the movies that caught my eye; or have good buzz going for the script/cast/director; or simply ones I am most looking forward to seeing.

First up is part one of the prestige films. As with all of the forthcoming lists the films are arranged in alphabetical order. (This particular category has been split into because of the large number of films. Part two will post tomorrow.)


1. A Dangerous Method
Who: Viggo Mortensen, Michael Fastbender, Keira Knightley, and Vincent Cassel; directed by David Cronenberg
What: Sigmund Freud (Mortensen) vs. Carl Jung (Fassbender): the conflict between teacher (Freud) and his student (Jung) over a disturbed young woman (Knightley) brought in for treatment by her father.
Why: Based on the play by Christopher Hampton, The Talking Cure, which is an impassioned look at the birth of psychoanalysis. This seems to be a great mixture of the perfect director with the perfect cast to tell the story.
When: To Be Announced (TBA)

2. Contagion
Who: Matt Damon, Marion Cotillard, Gwyneth Paltrow, Kate Winslet, Jude Law, Bryan Cranston, John Hawkes and Laurence Fishburne; directed by Steven Soderbergh
What: An action-thriller that follows a worst case scenario when a deadly virus spreads to four continents; and the international team of doctors who try to stop it.
Why: This will be Soderbergh’s most high-profile picture since Oceans’s Thirteen, and he couldn’t have picked a better project to come out swinging with. With a terrific script by Scott Z. Burns (The Informant, The Bourne Ultimatum) and an all-star cast I don’t see how this one won’t turn out to be a hit.
When: October 21

3. The Descendants
Who: George Clooney, Judy Greet, Beau Bridges, Matthew Lillard, Robert Forster, Shailene Woodley and Amara Miller; directed by Alexander Payne
What: The story of an attorney (Clooney) who re-evaluates his life after his wife’s boating accident. He and his two daughters (Woodley and Miller) decide to take a trip to find the man she was having an affair with. According to Payne, “it’s more or less a story about fatherhood.”
Why: Based on the novel by Kaui Hart Hemmings and adapted by Faxon & Jim Rash (from tv show Community); the script has been widely praised.
When: TBA (I get a very Up in the Air feeling to this one, meaning an Oscar-bat picture; most likely a late 2011 limited release before going wide in January)

4. Drive
Who: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks and Christina Hendricks; directed by Nicholas Winding Refn
What: A Hollywood stunt driver (Gosling) who moonlights as a getaway driver for thieves ends up on the run after a bank heist goes wrong.
Why: Um, it’s Gosling and Mulligan! Still need more? Based on the James Sallis novel Gosling says “it’s a cross between Blue Velvet and Purple Rain. It’s like a dream version of an action movie. It’s absolutely unique.”
When: September 16

5. The Girl with the Dragon Tattoo
Who: Rooney Mara, Daniel Craig, Christopher Plummer, Stellan Skarsgard and Robin Wright; directed by David Fincher
What: A journalist (Craig) is aided in his search for a woman who has been missing – or dead – for forty years by a young female hacker (Mara).
Why: Based on one of the most popular books of this past decade by Stieg Larsson and going up against the Swedish film not more than two years after its release, I’m excited to see if David Fincher’s version lives up to the hype.
When: December 21

6. The Help
Who: Emma Stone, Jessica Chastain, Bryce Dallas Howard, Sissy Spackey and Viola Davis; directed by Tate Taylor
What: A 1960s period drama set in Mississippi. When a southern society girl (Stone) returns from college determined to become a writer she decides to interview the black women who have spent their lives as “the help”. Along the way, unlikely friendships are forged as everyone in town becomes caught up in the changing times.
Why: Based on the New York Times bestseller; if done right The Help will be a strong, worthwhile drama.
When: August 12

7. Hugo Cabret
Who: Jude Law, Ben Kingsley, Sacha Baron Cohen, Chloe Moretz and Asa Butterfield; directed by Martin Scorsese
What: Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.
Why: Considering his last movie was horror flick Shutter Island Scorsese is making a decidedly big change with this big-budgeted 3D family friendly film based on Brian Selznick’s best selling novel. Details of the film are being held close to the chest, so I don’t think we’ll really know much about the project until later in the year, but it’s Scorsese with a December release date………
When: December 9

8. The Ides of March
Who: Ryan Gosling, George Clooney, Marisa Tomei, Evan Rachel Wood, Paul Giamatti and Philip Seymour Hoffman; directed by George Clooney
What: The young, idealistic communications director (Gosling) for a new presidential candidate (Clooney) gets a crash course on dirty politics when he becomes embroiled in a battle of dirty tricks with a rival during his stint on the primaries campaign trail.
Why: Based on Beau Willimon’s play Faragut North (wish they would have kept the title for the film, although I guess non-Washingtonians might not understand the meaning) which in turn is based loosely on the 2004 Howard Dean campaign.
When: A limited December release to qualify for Oscars before going wide in January ‘12

9. Immortals
Who: Henry Cavill, Freida Pinto, Mickey Rourke, Stephen Dorff, Isabel Lucas and Luke Evans; directed by Tarsem Singh
What: A mythological tale set in war-torn ancient Greece where the young warrior prince Theseus leads his men in a battle against evil that will see the Gods and Men fighting against the Titans and Barbarians.
Why: Tarsem says of his film, “It’s turning into, basically Carvaggio [the Italian 16th century artist] meets Fight Club, it’s a really hardcore action film done in Renaissance painting style.” If nothing else at least it sounds like it will look good.
When: November 11

10. Jane Eyre
Who: Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench and Sally Hawkins; directed by Cary Fukenaga
What: An adaptation of Charlotte Brontë’s classic novel.
Why: There have been numerous interpretations of Jane Eyre over the years, this time however we are promised a focus on the Gothic elements of the story. The cast is pretty great as well, so that will definitely help.
When: March 11 (This date is somewhat of a surprise. Hopefully it isn’t an indication of Focus Features dumping it. Still, 9 months is a long time to stay relevant.)


11. Live With It
Who: Joseph Gorden-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard and Angelica Huston; directed by Jonathan Levine
What: The story of Adam (Gorden-Levitt), a 25-year-old who learns he has cancer and the young psychologist (Kendrick) assigned to handle his case despite her lack of real life experience.
Why: The formally titled I’m With Cancer (wish they would have kept that) is from an autobiographical script by cancer survivor Will Reiser. Seth Rogen got wind of the script and along with co-staring in the film as Adam’s best friend he is also acting as producer. Rogen’s proved he has good taste when it comes to scripts; I hope this one is no exception.
When: September 23

12. Melancholia
Who: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgard, Stellan Skarsgard and John Hurt; directed by Lars von Trier
What: A psychological disaster film in which two sisters, one of whom is about to be married, cope in different ways as a large planet looms threateningly close to Earth signifying the imminent end of the world.
Why: As Lars von Trier has shown with his past films, he is not afraid to think outside the box and this new project should be no exception. With a nice mix of indie darlings and Hollywood stars plus murmurings of a Cannes debut, this is one to keep an eye on.
When: TBA (US) / July 1 (UK)

13. Midnight in Paris
Who: Rachel McAdams, Michael Sheen, Marion Cotillard, Owen Wilson, Alison Pill, Adrian Brody and Kathy Bates; directed by Woody Allen
What: A romantic comedy that follows a family traveling to Paris in the 1920s for business. The party includes a young engaged couple who have their lives transformed when they explore the illusion that people that have a different life from their own are better.
Why: It’s time for a Woody Allen comeback (his last few films have been met with less than positive praise) and this is the perfect cast to do it.
When: TBA (This one seems all-to-perfectly suited for a Cannes premiere. If the film is finished in time I won’t be surprised to see Sony Pictures Classic debut it there.)

14. Moneyball
Who: Brad Pitt, Jonah Hill, Robin Wright, Philip Seymour Hoffman, Chris Pratt and Tammy Blanchard; directed by Bennett Miller
What: The story of Oakland A’s general manager, Billy Beane’s successful attempt to put together a baseball club on a budget, by employing computer generated analysis to draft his players.
Why: Based on Michael Lewis’ (The Blind Side) nonfiction bestseller Moneyball: The Art of Winning an Unfair Game. This film was initially set to go before cameras a year earlier and under Steven Soderbergh’s direction, but after his last-minute rewrite caused panic Sony pulled the plug. Months later Aaron Sorkin came on to rewrite and Capote director Bennett Miller took over the reigns. The Sorkin script is supposed to be strong (did you expect anything less?) and the cast is aces. This is one that we’ll be debating it’s Oscar value for months to come, well ahead of its fall release.
When: September 23

15. My Week with Marilyn
Who: Michelle Williams, Eddie Redmaybe, Kenneth Branagh, Emma Watson, Judi Dench, Dominic Cooper, Julia Ormond and Dougray Scott; directed by Simon Curtis
What: The story of the friendship between film assistant Colin Clark (Redmayne), and Monroe (Williams) and her tempestuous relationship with co-star Sir Laurence Olivier (Branagh) set against the backdrop of the filming of The Prince and the Showgirl.
Why: Adapted from Colin Clark’s diary that was published 40 years after it was written, but with one week missing, which was then published some years later as My Week with Marilyn. Michelle Williams and Eddie Redmayne together is enough for me not to mention Williams’ performance has sparked insider rumors placing her as the early front-runner for the Oscar.
When: TBA

Sunday, January 16, 2011

Wednesday, January 12, 2011

golden globes 2011
b's picks

The second biggest awards show is this Sunday. In preparation j & I have picked our winners. Here are mine. J's are below. (There's a joke in there somewhere.)

Movie Awards

BEST DRAMA
Black Swan
The Fighter
Inception
The King’s Speech
The Social Network

(Note – I’m not sure the HFPA is as gung-ho about The Social Network as the academy members seem to be, so I think The King’s Speech takes this one)

BEST COMEDY/MUSICAL PICTURE
Alice in Wonderland
Burlesque
The Kids Are All Right
Red
The Tourist

(Note – If any other movie but Kids wins I will throw things at my TV. How did some of these even get nominations? The Tourist? Really? Dear HFPA, you are ridiculous. Hope you enjoyed that trip to Vegas that the producers of Burlesque sent you on. No Love, Me)

BEST DIRECTOR
Darren Aronofsky, Black Swan
David Fincher, Social Network
Tom Hooper, The King's Speech
Christopher Nolan, Inception
David O. Russell, The Fighter
(Note – It’s possible that Hooper walks away the winner, but I think it goes to Fincher all the way)

BEST DRAMA ACTOR
Jesse Eisenberg, The Social Network
Colin Firth, The King's Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine
Mark Wahlberg, The Fighter
(Note - As much as I would LOVE a win for Eisenberg or even Gosling, I think this one is as close to a lock as it gets. It’s Firth’s to lose.)

BEST DRAMA ACTRESS
Halle Berry, Frankie and Alice
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine
(Note – I will be shocked if anyone other than Natalie wins. Not to say that I don’t think the others nominated aren’t worthy – they are, very much so. Natalie’s had this locked for months now though. It will be a huge upset if she loses.)

BEST COMEDY/MUSICAL ACTOR
Johnny Depp, Alice in Wonderland
Johnny Depp, The Tourist
Paul Giamatti, Barney's Version
Jake Gyllenhaal, Love and Other Drugs
Kevin Spacey, Casino Jack
(Note – I won’t be surprised if Johnny wins for Alice; however, I just couldn’t bring myself to pick him as the winner)

BEST COMEDY/MUSICAL ACTRESS
Annette Bening, The Kids Are All Right
Anne Hathaway, Love and Other Drugs
Angelina Jolie, The Tourist
Julianne Moore, The Kids Are All Right
Emma Stone, Easy A
(Note – I will be shocked if anyone other than Annette wins)

BEST SUPPORTING ACTOR
Christian Bale, The Fighter
Michael Douglas, Wall Street: Money Never Sleeps
Andrew Garfield, The Social Network
Jeremy Renner, The Town
Geoffrey Rush, The King's Speech
(Note – I would love for Andrew to win this one - I just think he was fantastic in TSN - but it is Bale’s to lose. I mean have you seen what he did to his body for this role? That’s dedication. And a little bit of craziness.)

BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Mila Kunis, Black Swan
Melissa Leo, The Fighter
Jacki Weaver, Animal Kingdom
(Note: This one really could go any way. I can see any one of the nominees walking away the winner (save, maybe, Mila). Melissa gets my vote though simply because I love her and think she’s fantastic in pretty much everything she does.)

BEST SCREENPLAY
Danny Boyle and Simon Beaufoy, 127 Hours
Lisa Cholodenko and Stuart Blumberg, The Kids Are All Right
Christopher Nolan, Inception
David Seidler, The King's Speech
Aaron Sorkin, The Social Network
(Note – I will be shocked and amazed if TSN doesn’t win)

BEST SCORE
Alexandre Desplat, The King's Speech
Danny Elfman, Alice in Wonderland
A.R. Rahman, 127 Hours
Trent Reznor and Atticus Ross, The Social Network
Hans Zimmer, Inception
(Note – While I love TSN’s score, and anything Desplat does is gold I think this is the category that goes to Inception.)

BEST SONG
"Bound to You", Burlesque
"Coming Home", Country Strong
"I See the Light", Tangled
"There's a Place for Us", The Chronicles of Narnia: The Voyage of the Dawn Treader
"You Haven't Seen the Last of Me", Burlesque
(Note – That trip to Vegas has got to pay off somehow…..)

BEST ANIMATED PICTURE
Despicable Me
How to Train Your Dragon
Illusionist
Tangled
Toy Story 3
(Note – I almost went for Tangled on this one. The HFPA seems to have a soft spot for Disney, and they like to go against the grain in at least one category. I could see this one being the being the one they use as an “upset”.)

BEST FOREIGN LANGUAGE PICTURE
Biutiful, Mexico/Spain
The Concert, France
The Edge, Russia
I Am Love, Italy
In a Better World, Denmark
(Note – I almost picked I Am Love for the win, but in the end went with Biutiful solely because of Javier Bardem’s performance.)


TV Awards

BEST TV DRAMA
Boardwalk Empire
Dexter
The Good Wife
Mad Men
The Walking Dead
(Note – It’s the “new thing”)

BEST TV COMEDY/MUSICAL SERIES
30 Rock
Big Bang Theory
Bic C
Glee
Modern Family
Nurse Jackie
(Note – I’ll be fine with a win for anything in this category as long as it doesn’t go to Glee. I will revolt if Glee wins. What a difference a year makes.)

BEST TV DRAMA ACTOR
Steve Buscemi, Boardwalk Empire
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House
(Note – I picked Jon Hamm simply because he has had such a great year; can easily see it going to Steve Buscemi though.)

BEST TV DRAMA ACTRESS
Julianna Marguiles, The Good Wife
Elisabeth Moss, Mad Men
Piper Perabo, Covert Affairs
Katy Sagal, Sons of Anarchy
Kyra Sedgwick, The Closer
(Note – I’ll be pretty shocked it Julianna doesn’t win this one again)

BEST TV COMEDY/MUSICAL ACTOR
Alec Baldwin, 30 Rock
Steve Carell, The Office
Thomas Jayne, Hung
Matthew Morrison, Glee
Jim Parsons, The Big Bang Theory
(Note – Um, where’s Danny McBride for Eastbound & Down? Baldwin & Carell are great, admittedly, but they haven’t done anything new with their characters for a long time now. Hung sucks. Like unwatchable sucks. Matthew Morrison is a big part of why I hate Glee so much now. Considering this is the list I have to work with I’ll take Parsons for the win.)

BEST TV COMEDY/MUSICAL ACTRESS
Toni Collette, The United States of Tara
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Laura Linney, The Big C
Lea Michele, Glee
(Note – As long as it’s anyone other than Lea Michele. No, really. The amount of disdain I have for that girl is ridiculous.)

BEST TV MOVIE/MINISERIES
Carlos
The Pacific
Pillars of the Earth
Temple Grandin
You Don't Know Jack
(Note – I could see this one possibly going to Temple Grandin, but I have to say I will honestly be shocked if The Pacific loses.)

BEST TV MOVIE/MINISERIES ACTOR
Idris Elba, Luther
Ian McShane, Pillars of the Earth
Al Pacino, You Don't Know Jack
Dennis Quaid, The Special Relationship
Edgar Ramirez, Carlos
(Note – It’s Al Pacino. You can’t not pick him. Although I have to say that I am really sad that Eddie Redmayne didn’t get a nomination for his work in Pillars of the Earth. Major oversight on the HFPA’s part. Although, I guess I shouldn’t really be that surprised. After all they are the ones who nominated Jennifer Love Hewitt in a Lifetime: Movie of the Week role.)

BEST TV MOVIE/MINISERIES ACTRESS
Hayley Atwell, Pillars of the Earth
Claire Danes, Temple Grandin
Judi Dench, Return to Cranford
Romola Garai, Emma
Jennifer Love Hewitt, The Client List
(Note – I don’t see anyone other than the former Angela Chase walking away with this win. Also, I propose the HFPA enact a new rule: no Lifetime: Movie of the Week shall be eligible. Ever. The fact that JLH is nominated is just simply laughable. No, really, I laughed for about 10 minutes straight the morning the nominations were made and her name was announced.)

BEST TV SUPPORTING ACTOR
Scott Caan, Hawaii Five-O
Chris Colfer, Glee
Chris Noth, The Good Wife
Eric Stonestreet, Modern Family
David Strathairn, Temple Grandin
(Note – For as much as I now dislike Glee and absolutely loathe that one bitch, I still love Kurt. And Chris Colfer is just so adorable and earnest. I want him to win just so I can watch his acceptance speech. I could also see a David Strathairn win though.)

BEST TV SUPPORTING ACTRESS
Hope Davis, The Special Relationship
Jane Lynch, Glee
Kelly Macdonald, Boardwalk Empire
Julia Stiles, Dexter
Sofia Vergara, Modern Family
(Note – I originally had Jane Lynch here, but I don’t know that the HFPA goes back-to-back Glee for supporting.)

golden globes 2011
j's picks

Movie Awards

BEST DRAMA
The Social Network

BEST COMEDY/MUSICAL PICTURE
The Kids Are All Right

BEST DIRECTOR
Christopher Nolan, Inception

BEST DRAMA ACTOR
Colin Firth, The King's Speech

BEST DRAMA ACTRESS
Natalie Portman, Black Swan

BEST COMEDY/MUSICAL ACTOR
Jake Gyllenhaal, Love and Other Drugs

BEST COMEDY/MUSICAL ACTRESS
Julianne Moore, The Kids Are All Right

BEST SUPPORTING ACTOR
Christian Bale, The Fighter

BEST SUPPORTING ACTRESS
Amy Adams, The Fighter

BEST SCREENPLAY
Aaron Sorkin, The Social Network

BEST SCORE
Hans Zimmer, Inception

BEST SONG
"Coming Home", Country Strong

BEST ANIMATED PICTURE
Tangled

BEST FOREIGN LANGUAGE PICTURE
The Concert, France


TV Awards

BEST TV DRAMA
Dexter

BEST TV COMEDY/MUSICAL SERIES
Modern Family

BEST TV DRAMA ACTOR
Michael C. Hall, Dexter

BEST TV DRAMA ACTRESS
Kyra Sedgwick, The Closer

BEST TV COMEDY/MUSICAL ACTOR
Alec Baldwin, 30 Rock

BEST TV COMEDY/MUSICAL ACTRESS
Edie Falco, Nurse Jackie

BEST TV MOVE/MINISERIES
The Pacific

BEST TV MOVIE/MINISERIES ACTOR
Al Pacino, You Don't Know Jack

BEST TV MOVIE/MINISERIES ACTRESS
Claire Danes, Temple Grandin

TV SUPPORTING ACTOR
Eric Stonestreet, Modern Family

TV SUPPORTING ACTRESS
Jane Lynch, Glee

Wednesday, December 8, 2010

yes, the kids are all right

In an effort to get a review up of all the Oscar contenders on my list I am going to put up my thoughts on the films from this past summer (The Kids Are All Right, Toy Story 3 & Inception) before diving into the more recent releases. They won’t be full reviews, they won’t be long and wordy and they won’t detail the storyline. Just my quick thoughts on the film. Why I liked it. Why I think it’s a contender. First Up:


Marriage is hard work. J would disagree with me on that, but sometimes when I’m difficult and unreasonable and there are horns coming out of my head (for no reason), he has to remind himself why I’m his wife. Sometimes I have to force myself to tune into what he is saying because, frankly, sometimes what he’s saying is so boring (and my Command & Conquer knowledge is extremely limited). To say nothing of the fact that we have two small people we are responsible for and often find ourselves trying to find that middle ground between our parenting styles. It’s hard.

And it’ll probably get harder. But we’re still here. Because I really like that moment when he steps though the door in the evenings. Because we can still find things to laugh about every day. Because all these years later he still thinks I’m more interesting than any girl he’s ever met. And because when I went total bitch this past weekend at IKEA because “I can’t believe you didn’t measure the room before we came” and I stormed away in frustration he quietly ate it while I stewed. And those things make up for the times when we make each other feel small, or forget to appreciate, or just don’t bother.

Not too long ago I overheard two older ladies talking about movies they had seen recently. “How about that lesbian movie?” one asked. I’ve heard it called that a lot. I would contend that it’s not A Lesbian Movie though; calling it such is selling it way short. It’s a Marriage Movie. It’s a Relationship Movie. It’s a Parenting Movie. It’s a Communication Movie. It’s a really, really great movie about two people stuck in a rut, and how that rut can eat away at all the things you love, and how all the things you love can also be all the things that hold you back. The Kids Are All Right is a bright and beautifully acted look at what it means to be part of a family. The ups, the downs, the relationship with your partner and kids.

In a season known for explosions, CGI overload, superheros and blockbuster sequels The Kids Are All Right proved that something different can be (really) good. A film dealing in human emotions, raw truths, and real life; it just may be the most honest film of the summer.

As wonderfully written and directed as the film is the real power is in the acting. All five actors are present and invested in every scene. The chemistry between Annette Bening, Julianne Moore & Mark Ruffalo is excellent, and the younger set (Mia Wasikawska and Josh Hutcherson) are able to hold their own against 3 powerhouse actors and give very believable performances. However, as good (excellent even) as everyone is the performance of note belongs to Annette Bening. A certain dinner table scene is a masterclass in itself in the art of acting. I walked out of the cinema and one of the first things I said was “Annette Bening is getting an Oscar nomination out of that.”

I only wish that the studio (Focus Features) had made the decision to campaign for Bening & Moore as Lead Actress and Supporting actress, respectively. I understand the reasoning behind putting them both up for Lead (they are, after all, the leads of the movie and share equal screen time) but Bening’s performance is the performance that makes this film. She is the standout. She is the one that will get a nomination and it’s going to be a shame when Moore is overlooked. Maybe I’m wrong and they’ll both get a nomination? The last time two actresses were nominated for lead from the same movie was 19 years ago with Geena Davis and Susan Sarandon in Thelma & Louise. In fact in over 80 years two lead actresses from the same film have only been nominated 5 times. Maybe it’s time to add a sixth.


The Kids Are All Right - 4.5 Stars

Monday, December 6, 2010

the heart makes dreams seem like ideas

Here’s the thing: I’ve been hesitant to write a review of this film. I’ve been talked into finally doing so, but it is with some trepidation. While I’ve never been to the Ozark Mountains in Missouri, I was born and raised in a town that feels/looks eerily similar (minus the mass meth consumption/production – at least according to my childhood memories).

About halfway though watching I had to take a smoke break, not because I wasn’t enjoying the film, but because I felt like I was about to crawl out of my skin. I was stranding outside and said to J “Something about this film is……weird. No, that’s not the right word…….” “Familiar” he proposed. Yep, that’s it. Right before my self imposed break the main character had just called out for her little sister. Her little sister’s name is my little sister’s name – exactly. I don’t know. I guess it might have just cut a little too close to home?

Anyway, that’s the reason it’s taken so long to get this all out. Months later after viewing my thoughts are still a bit jumbled, but I’ll try my best to do the film justice. Onward and upward.

Adapted from Daniel Woodrell’s excellent novel by the same name, Debra Granik (also the director) and Anne Rosellini’s screenplay is beautiful. The story revolves around 17-year-old Ree Dolly’s search for her father, who has gone missing after using their home as collateral to get out of jail (meth is the new moonshine?). Her quest to find her father immediately runs into serious resistance, first from fearsome Uncle Teardrop, then the neighbors who warn that her questioning is “a real good way to end up eat by hogs”, and finally from Merab, the psycho-scary wife of the local boss of meth operations, Thump, advertised as the baddest mofo in the land. But evidently Merab does Thump’s dirty work (at least when it comes to the fairer gender) because it is she (along with her female cohorts) who beats Ree to an inch of her life and warn her to stop snopping around. And Merab has good reason to stop Ree. Turns out that daddy ratted out the other meth dealers and paid for it with his life. This is bad news for Ree because if daddy doesn’t show up in court the family will lose their house.

This story is 100% Ree’s story and we slowly find out she is a genuine anomaly among all the crazies, druggies and killers. A figure of grace, beauty, intelligence and resourcefulness who, despite not benefitting from any parental guidance herself (dad has been in and out of jail for years and mom is mentally ill and cationic), has assumed the role of family matriarch and taken responsibility for the upbringing of her younger brother and sister.

While the majority of the movie is very moody, there are nice periods of lightness to break-up the gloom; a wonderfully shot scene of folk music singing with banjo playing and the exceptional scene in which Ree is teaching her brother and sister to spell, count, and perhaps most important for survival, how to shoot a rifle. My favorite moment in the entire film comes during this scene when Ree tells her brother about the culture in which they live and says “Never ask for what ought to be offered.”

Director Debra Granik is a big emerging talent. The film has a wonderful authenticity that is derived from using local residents as actors, but most importantly from having the director immerse herself in the culture for two years before shooting the film. Her directing is just crazy good and I’m of the opinion that all young actress should with her if they can. They most certainly can learn a lot. Michael McDonough’s cinematography is also worth mention as he was able to effectively and beautifully capture the bleakness of the environment.

On to the pinnacle of the film – the strength of it’s actors. Simply put, Jennifer Lawrence is a revelation as Ree. Jennifer Lawrence became Ree Dolly. She buried herself in this role. And the amount of conviction and gumption that girl brought to her character just blew me away. John Hawke’s Teardrop is incredible. When he is on screen he is only one you are watching, even if he’s doing nothing. And finally, Dale Dickey’s Merab is sublime. Her performance is seeped in an aura of violence that invests every scene she’s in with a sickening expectation that things could turn ugly very very quickly. (This feeling is never more powerful immediately upon Ree’s return to speak to Merab – I was watching the scene though the slits in my fingers.)

Make no mistake: Winter’s Bone is a film about poverty and desperation but it never exploits its characters or engages in manipulation or sentimentality. It most assuredly can be tough to watch at times, it however, is not as some critics have said “poverty porn.”

And ultimately, it is a reminder how astonishing the things people are capable of when their survival or way of life is threatened.


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Winter’s Bone is a rich, satisfying film that more than deserves the accolades it has been receiving. Back in January at Sundance it walked away with the Jury Prize for dramatic competition as well as the screenwriting award. The film, it’s director and it’s actors are on most of the critics lists to garner some Oscar nominations and it’s more recent awards seem to support that as well. Last month it was the big winner at the Sprit Awards with 7 nominations including Best Feature, Best Director, Best Screen Play, Best Cinematography, Best Lead Actress (Jennifer Lawrence), Best Supporting Actor (John Hawke), and Best Supporting Actress (Dale Dickey). It’s also won at the Gotham Awards (Best Ensemble Cast, Best Film, and Breakthrough - Jennifer Lawrence) and the Seattle International Film Festival (Best Actress – Jennifer Lawrence and Best Director) and as the awards season progresses should rake in numerous other nominations/wins.


Winter's Bone - 4 Stars